千山獨行BEYOND A THOUSAND MOUNTAINS —
The Poetic Journey of Wen Ren
鑑賞 · 第 15 首 / 共 17

宿南海之濱三亞

A Night by the South China Sea in Sanya
馬遠《水圖》十二段之《雲生滄海》 南宋 絹本設色 每段 26.8 × 41.6
馬遠《水圖》十二段之《雲生滄海》 南宋 絹本設色 每段 26.8 × 41.6 cm 北京故宮博物院藏 Ma Yuan (act. c. 1190–1225), “Clouds Rising from the Green Sea,” one of the twelve leaves of the Water Album. Southern Song. Ink and colour on silk, 26.8 × 41.6 cm. The Palace Museum, Beijing. Public domain (Wikimedia Commons)
原詩The Poem
話兒滿腹未逢時,椰樹垂頭久莫知。夜半敲窗喚何故?殷殷風葉報春遲。
作者英譯The Poet’s Own Translation
Words fill my heart; their moment has not come.The palms lower their heads, long unaware.What knocks at my window at midnight?Wind in the leaves, insisting: spring is late.
註釋Annotation
  1. 三亞海南島南端的海濱城市;詩寫夜宿所感。
  2. 殷殷懇切、頻頻,在此亦使風葉之聲帶上傳話的情意。
  3. 春遲不必只作節候理解,也承接詩中等待而未逢其時的心境。
鑑賞Appreciation

「話兒滿腹」以近乎口語的聲音起筆,椰樹卻久久不答。夜半的敲窗聲像是終於有了回音,帶來的仍是「春遲」。四句將等待化為一場未能如願的對話;心事沒有說破,留在風葉的聲息裡。

The conversational opening suggests much waiting to be said, but the bowed palms offer no reply. A sound at the window seems at last to answer, only to bring news of a delayed spring. In four lines, waiting becomes an unfinished exchange with the night. The unspoken burden remains within the movement and sound of the leaves.