結 卷 · COLOPHON

結卷

The Scroll Rolled Up
王希孟《千里江山圖》卷尾一段　北宋政和三年（1113）　絹本青綠設色　51.3
王希孟《千里江山圖》卷尾一段　北宋政和三年（1113）　絹本青綠設色　51.3 × 1191.5 cm　北京故宮博物院藏 Wang Ximeng (1096–1119), A Thousand Li of Rivers and Mountains, closing section. 1113. Handscroll, ink and colour on silk, 51.3 × 1191.5 cm. The Palace Museum, Beijing. Public domain (Wikimedia Commons)
ix.

結卷Closing Words

到遠方不是為了看清世界，詩不是為了盡寫人生。真乃詩之始，善乃仁之源。去除遮蔽，讓真自我顯現是每一首詩存在的意義。有幸假我之手完成的千山獨行在此處與您相遇，應該是難得的機緣吧，珍重！

Travelling far is not about seeing the world clearly, nor is poetry about telling the whole of a life. Truth is where poetry begins; goodness is the source of benevolence. To lift what veils us and allow the true self to emerge is why every poem exists. By good fortune, Beyond a Thousand Mountains has taken shape through my hands and now meets you here. A rare and fortunate encounter, perhaps. Take good care.

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圖像出處Picture Credits
  1. 王希孟《千里江山圖》卷首一段北宋政和三年（1113）　絹本青綠設色　51.3 × 1191.5 cm　北京故宮博物院藏Wang Ximeng (1096–1119), A Thousand Li of Rivers and Mountains, opening section. 1113. Handscroll, ink and colour on silk, 51.3 × 1191.5 cm. The Palace Museum, Beijing. — Public domain (Wikimedia Commons)
  2. 夏圭《溪山清遠圖》卷首一段南宋　紙本水墨　46.5 × 889.1 cm　臺北故宮博物院藏Xia Gui (act. c. 1195–1230), Pure and Remote View of Streams and Mountains, opening section. Southern Song. Handscroll, ink on paper, 46.5 × 889.1 cm. National Palace Museum, Taipei. — Public domain (Wikimedia Commons)
  3. 黃公望《富春山居圖·無用師卷》畫心中段一節元至正七年至十一年（1347–1351）　紙本水墨　33 × 636.9 cm　臺北故宮博物院藏Huang Gongwang (1269–1354), Dwelling in the Fuchun Mountains (the Wuyong Scroll), a section from the middle of the painted portion. 1347–1351. Handscroll, ink on paper, 33 × 636.9 cm. National Palace Museum, Taipei. — Public domain (Wikimedia Commons)
  4. （傳）趙伯駒《江山秋色圖》（畫心全段）南宋　絹本青綠設色　55.6 × 323.2 cm　北京故宮博物院藏Attributed to Zhao Boju (c. 1120–c. 1170), Autumn Colours over Rivers and Mountains, painted portion entire. Southern Song. Handscroll, ink and colour on silk, 55.6 × 323.2 cm. The Palace Museum, Beijing. — Public domain (Wikimedia Commons)
  5. 文徵明《惠山茶會圖》卷（畫心全段；卷後有蔡羽楷書《惠山茶會序》）明正德十三年（1518）　紙本設色　上海博物館藏（藏品檔案 CI00004961；館方未公布館藏編號）Wen Zhengming (1470–1559), The Tea Gathering at Mount Hui, the painted portion entire; the scroll continues with Cai Yu’s preface to the gathering in regular script. Ming, dated 1518. Handscroll, ink and colour on paper. Shanghai Museum (object record CI00004961; no accession number published). — Public domain (PD-Art / PD-old-auto-expired, Wikimedia Commons)
  6. 趙左《谿山無盡圖》卷明（約 1610）　紙本水墨　美國大都會藝術博物館藏（1976.219）Zhao Zuo (c. 1570–after 1633), Streams and Mountains without End. Ming, c. 1610. Handscroll, ink on paper. The Metropolitan Museum of Art, New York, 1976.219. — CC0 (The Metropolitan Museum of Art / Wikimedia Commons)
  7. 王翬等《康熙南巡圖》第三卷「濟南至泰山」泰山一段清康熙三十七年（1698）　絹本設色　全卷 67.9 × 1393.8 cm　美國大都會藝術博物館藏（1979.5a–d）Wang Hui (1632–1717) and assistants, The Kangxi Emperor’s Southern Inspection Tour, Scroll Three: Ji’nan to Mount Tai — the Mount Tai section. Dated 1698. Handscroll, ink and colour on silk, 67.9 × 1393.8 cm. The Metropolitan Museum of Art, New York (1979.5a–d). — Public domain (Wikimedia Commons)
  8. 董源《瀟湘圖》（畫心全段）五代南唐　絹本設色　50 × 141.4 cm　北京故宮博物院藏Dong Yuan (d. 962), The Xiao and Xiang Rivers, painted portion entire. Five Dynasties, Southern Tang. Handscroll, ink and colour on silk, 50 × 141.4 cm. The Palace Museum, Beijing. — Public domain (Wikimedia Commons)
  9. （傳）屈鼎《夏山圖》卷（畫心全段）北宋（約 1050）　絹本設色　45.4 × 115.3 cm　美國大都會藝術博物館藏（1973.120.1）Attributed to Qu Ding (act. mid-11th c.), Summer Mountains, the painted portion entire. Northern Song, c. 1050. Handscroll, ink and colour on silk, 45.4 × 115.3 cm. The Metropolitan Museum of Art, New York (1973.120.1). — CC0 (The Metropolitan Museum of Art / Wikimedia Commons)
  10. 方從義《雲山圖》卷（畫心一段）元（約 1360–70）　紙本水墨設色　全卷畫心 26.4 × 144.8 cm　美國大都會藝術博物館藏（1973.121.4）Fang Congyi (c. 1301–after 1378), Cloudy Mountains, a section of the painting. Yuan, c. 1360–70. Handscroll, ink and colour on paper, 26.4 × 144.8 cm. The Metropolitan Museum of Art, New York (1973.121.4). — CC0 (The Metropolitan Museum of Art / Wikimedia Commons)
  11. 郭熙《樹色平遠圖》卷（畫心前段）北宋（約 1080）　絹本設色　全卷畫心 35.6 × 104.4 cm　美國大都會藝術博物館藏（1981.276）Guo Xi (c. 1000–c. 1090), Old Trees, Level Distance, the opening section of the painting. Northern Song, c. 1080. Handscroll, ink and colour on silk, 35.6 × 104.4 cm. The Metropolitan Museum of Art, New York (1981.276). — CC0 (The Metropolitan Museum of Art / Wikimedia Commons)
  12. （傳）李公麟《山莊圖》卷（畫心一段）北宋　紙本水墨　臺北國立故宮博物院藏Attributed to Li Gonglin (1049–1106), Mountain Villa, a section of the painting. Northern Song. Handscroll, ink on paper. National Palace Museum, Taipei. — Public domain (Wikimedia Commons)
  13. 許道寧《漁父圖》卷（前段一節）北宋（約1049–1053）　絹本水墨　48.9 × 209.6 cm　美國納爾遜—阿特金斯藝術博物館藏（33-1559）Xu Daoning (c. 970–1052), Fishermen on a Mountain Stream, first section. Northern Song, c. 1049–53. Handscroll, ink on silk, 48.9 × 209.6 cm. The Nelson-Atkins Museum of Art, Kansas City (33-1559). — Public domain (Wikimedia Commons / Google Art Project)
  14. 沈士充《長江萬里圖》卷（中段一節）明崇禎元年（1628）　紙本水墨　上海博物館藏Shen Shichong (act. c. 1607–1640), Ten Thousand Li of the Yangzi, a section from the middle of the scroll. Ming, 1628. Handscroll, ink on paper. Shanghai Museum. — Public domain (Wikimedia Commons)
  15. 唐棣《滕王閣圖》元至正十二年（1352）　美國大都會藝術博物館藏（1989.363.36）Tang Di (1287–1355), The Pavilion of Prince Teng. Yuan, 1352. The Metropolitan Museum of Art, New York, 1989.363.36. — Public domain (Wikimedia Commons)
  16. 趙孟頫《鵲華秋色圖》（畫心全段）元元貞元年（1295）　紙本設色　28.4 × 93.2 cm　臺北故宮博物院藏Zhao Mengfu (1254–1322), Autumn Colours on the Qiao and Hua Mountains, painted portion entire. 1295. Handscroll, ink and colour on paper, 28.4 × 93.2 cm. National Palace Museum, Taipei. — Public domain (Wikimedia Commons)
  17. （傳）李嵩《西湖圖》卷南宋　紙本水墨　26.7 × 85 cm　上海博物館藏Attributed to Li Song (act. 1190–1230), West Lake. Southern Song. Handscroll, ink on paper, 26.7 × 85 cm. Shanghai Museum. — Public domain (Wikimedia Commons)
  18. 趙孟頫《雙松平遠圖》卷（畫心與自題全段）元（約 1310）　紙本水墨　26.8 × 107.5 cm　美國大都會藝術博物館藏（1973.120.5）Zhao Mengfu (1254–1322), Twin Pines, Level Distance, the painting with the artist’s inscription. Yuan, c. 1310. Handscroll, ink on paper, 26.8 × 107.5 cm. The Metropolitan Museum of Art, New York (1973.120.5). — CC0 (The Metropolitan Museum of Art / Wikimedia Commons)
  19. 馬遠《水圖》十二段之《長江萬頃》南宋　絹本設色　每段 26.8 × 41.6 cm　北京故宮博物院藏Ma Yuan (act. c. 1190–1225), “Ten Thousand Acres of the Yangzi,” one of the twelve leaves of the Water Album. Southern Song. Ink and colour on silk, 26.8 × 41.6 cm. The Palace Museum, Beijing. — Public domain (Wikimedia Commons)
  20. 馬遠《水圖》十二段之《雲生滄海》南宋　絹本設色　每段 26.8 × 41.6 cm　北京故宮博物院藏Ma Yuan (act. c. 1190–1225), “Clouds Rising from the Green Sea,” one of the twelve leaves of the Water Album. Southern Song. Ink and colour on silk, 26.8 × 41.6 cm. The Palace Museum, Beijing. — Public domain (Wikimedia Commons)
  21. 米友仁《雲山圖》卷南宋（約 1130）　紙本水墨　美國克利夫蘭藝術博物館藏（1933.220，Gift of the Hanna Fund）Mi Youren (1074–1151), Cloudy Mountains. Southern Song, c. 1130. Handscroll, ink on paper. The Cleveland Museum of Art, 1933.220. — CC0 (The Cleveland Museum of Art / Wikimedia Commons)
  22. 趙幹《江行初雪圖》卷（畫心中段一節）五代南唐（約 960–975）　絹本設色　全卷畫心 25.9 × 376.5 cm　臺北國立故宮博物院藏Zhao Gan (act. c. 961–75), Travelling on the River in First Snow, a section from the middle of the painting. Five Dynasties, Southern Tang. Handscroll, ink and colour on silk, 25.9 × 376.5 cm. National Palace Museum, Taipei. — Public domain (Wikimedia Commons)
  23. 尤求《蘭亭修禊圖》卷首至曲水流觴一段明（16 世紀）　紙本水墨　美國明尼阿波利斯藝術博物館藏（2002.4.2）You Qiu (act. c. 1540–90), The Gathering at the Orchid Pavilion, the opening section, with the winding-stream gathering. Ming, 16th century. Handscroll, ink on paper. Minneapolis Institute of Art (2002.4.2). — Public domain (artwork) / CC BY 4.0 (photograph), Wikimedia Commons
  24. 王希孟《千里江山圖》卷尾一段北宋政和三年（1113）　絹本青綠設色　51.3 × 1191.5 cm　北京故宮博物院藏Wang Ximeng (1096–1119), A Thousand Li of Rivers and Mountains, closing section. 1113. Handscroll, ink and colour on silk, 51.3 × 1191.5 cm. The Palace Museum, Beijing. — Public domain (Wikimedia Commons)

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